GROSZ WAS A KEY MEMBER OF BERLIN

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Grosz was a key member of Berlin Dada and the New Objectivity movement of the Weimar Period in Germany. To the great critic Robert Hughes he was the ‘master of radical sourness’, his works sardonic, satirical and full of disgust at Germany. capitalists, priests, and politicians are all mercilessly lampooned and coruscated by Grosz. In The Pillars of Society (click to see the painting) we meet four grotesque figures: first, the old aristocrat in the foreground, sword in hand, duelling scar on his cheek, misted monocle in his eye, and his open head full of visions of war. Above are the journalist, palm branch in one hand and papers in the other, with a chamber pot on his head, and the politician with socialist pamphlets and open head full of steaming dung. Lastly, there is the priest, oblivious to the burning city and marching troops behind him. --upbeta --v 5

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